I love the built-in level in the MK III, and the faster burst rate (even if it is shorter) can be handy too. The 5D was a dust magnet, and had no auto cleaning function like the newer cameras. Of course the white balance can be tweaked in post, and I do that for any image that warrants it, but it was a little surprising that Canon got the AWB algorithm right for the 5D, but seemed to drop the ball with the MK III.Īll in all, those are rather minor complaints. And the AWB doesn't seem as good on the MK III under less than ideal lighting conditions (dull, overcast daylight). 12 for the original (shooting RAW + small fine jpeg). I can only get a burst of 7 shots on the newer camera vs. The MK III is an improvement in almost all regards except two that stick out for me. I used a 5D as my primary camera for about 8 years, before "modernizing" with a 5DIII. So while I wouldn't say that the 'magic color' of the pixels is a good enough reason to purchase by itself, if you are looking for a FF camera at a stunningly good price which is still capable of producing world class imagery (albeit more slowly, with a small dark (relative to modern cameras) LCD, and a sensor which requires regular cleaning) then the 5D may fit the bill.
Of course ~20+ MP, they can handle a LOT more NR without looking plastic fantastic - which yields good imagery much higher up the ISO scale.
Even a 6D can easily do the same, though at low to mid ISOs, the 6D, 5D2, & 5D3 RAWS all need more post to become as buttery smooth as the 5D's RAWs were right off the card.
This of course is largely a result of the larger sensor. Of course, a substantial component of that 'magic' was the shallower DOF I could accomplish, which allowed portraiture to be stunning (where as the 50D's were 'eh' - even in good light). The same can not be said for the 50D, which was frankly abhorrent (in my opinion) at anything over ~800 ISO. At low to mid ISOs, the files needed very little if any NR to clean them up before exporting. See Carty in action at ProFusion Expo, and make sure to visit before hand and see for yourself why he has become one of today’s most in demand photographers.IME with the 5D (shot weddings with it for a number of years before upgrading to a 5D2), the output was quite 'magical' when compared with my 50D (I used the two together), although, in fairness, most of the 'magic' had to do with how creamy and beautiful the RAW files were - NOT any difference in color tones. In 2009 released his first book, “Positives” and was selected to be published in Carte Blanche, the first book of Canadian Contemporary Photographers, available everywhere. Steve Carty is currently based in Toronto and works all over North America, with frequent stops in the UK, Europe and Central America.
Register for your Free ProFusion Expo Ticket His exceptional approach to subjects include client work with Temporarily Unpopular Ideas, Corus Entertainment, HP, Nike, MTV / MuchMusic, D&AD, Canada Goose, SportingLife, Autoshare and YNOT Cycle just to name a few. Highlights of his published works include features in prominent magazines such as Wired (Germany), NUVO, Adformatie (Amsterdam), Naked Eye, ELLE Canada, InTouch Weekly, Vervegirl, Girlfriend (US & New Zealand) and many more. It is a straight-up, human approach, underpinned with confidence by the artist’s sound technical ability.Īlways evolving with technology, Carty consistently tries to find new ways to incorporate the latest innovations into his work, most recently directing shorts, fashion films and music videos.” From them, he is able to capture remarkably personable and raw moments of beauty and depth of truth. A relationship founded first, in moments, finding that essential common ground and comfort. Daft Punk © Steve CartyĪt his best he is a photographer who connects with his subject quickly and produces quickly. Reflecting the attitude of the moment, he creates powerful undertones, which are never over stylized, but always iconic. “Carty has a modest and straight up approach to making pictures that is understated, modern and honest. Canon Canada’s 1st Brand Ambassador, Steve Carty Join “Carty” (as he likes to be known) inside Canon Canada’s ProFusion Expo booth throughout both show days as he does what he does best by demonstrating just how easy it is to capture amazing portraits in 5 minutes or less. Colin Firth © Steve Carty Cameras ready, prepare to flash!Ĭanon Canada’s first ever Brand Ambassador (and amazingly nice guy) Steve Carty has joined our growing list of expert photographers who want to share their knowledge with you at ProFusion Expo.